sean price and lil fame team up for the price of fame album. features m.o.p., smif n wessun, rock of heltah skeltah, conway the machine & guilty simpson. pressed on green splatter vinyl.

4x rave t e c h n o

ansome is back on perc trax for his 2nd longplayer.

mark is releasing a new ep called integriert euch nicht.

celebrating 25 years of skunk anansie with this limited orange triple lp plus bonus 7 inch (one-sided), booklet, 2 posters and photo print in a collectors box.

celebrating 25 years of skunk anansie with this triple vinyl release.

there are west coast classics, and then there is music to driveby, the third lp from the group that birthed mc eiht: compton’s most wanted. although the group started in the late ‘80s with multiple mcs (including tha chill and boom bam), by 1992 eiht as pulling the group’s vocal weight – supported by dj mike t on turntables and production – and even producing and co-producing tracks. music to driveby might lack beats-per-minute variety, but to fans that’s not a bad thing. across the board, this is mid-tempo, super deep, funky hip-hop, made for cars creeping along boulevards across the west and south, and it’s about as good as it gets for such purposes. just about filler-free, the album struts intensely and with purpose, as eiht throws tales of cali street life at fans for an hour straight, almost without a break. this solo marathon is given a respite only once, with scarface’s guest spot on “n 2 deep,” an excellent hood roller supported by a soulful guitar lick sampled from lyn collins’ “do your thing.” elsewhere, eiht rolls alone and intensely, on cuts like the classic mash single “hood took me under”, the album’s second single and tim dog attack “who’s fu**ing who?”, the hometown big-up “compton 4 life”, and hustle tales like “jack mode” and “i gots to get over.” after this album, eiht released more classics under his own name, and with similar fan worship. it was the continuation of a legendary career and music to driveby still ranks high on anyone’s “west coast legends” playlist.

if there is one album that we would take with us an a desert island its this one. the worst of krtm is one of the most refreshing records we have heard in a long time. perfectly blending industrial techno and hardcore to one unique beautiful/terrifying work of art. we could almost write a book on how unique and great this album is but lets just stop here and let the music do the talking. all hail krtm!

this time it’s about a best possible quality re-release of the christian bruhn soundtrack for the japanese anime series -captain future-. as -thank-you- for your contribution you’ll get a limited edition blue & white coloured vinyl record set + a lot more dope stuff. fucking awesome... sooooooo collectible! - double lp - halfspeed mastered / dubbed by christian bruhn - 19 songs incl. 4 previously unreleased bonus tracks - gatefold cover colored vinyl incl. poster (comet) and sticker

a deluxe 20th anniversary edition,
feat extensive 6 page 12 inch booklet.. 180gr vinyl pressing... incl classics like right here , right now & the rockafeller skank !

marks back with three seething cuts at the state of berlin affairs. a restless message to the hands of capital. killer steppers coming off last years cult classic here comes a fucking startup campus and outings on bristols nocorner. post-modern dnb with shades of latter-day source direct and the rattle of golden-era skull disco. supported by the likes of ben ufo, lee gamble, ramzi and trevor jackson - premiered by phile, nerve and mos howieson

plugged into the mainframe of the power station, antonio returns to the label with a barrage of loner panzer funk and mechanised thrash metal from the shadows of frankfurt s industrial district. its a record fed and nurtured among copper coils, rusted voltage boxes, plasma and ionised sweat coming out to breathe among power surges and industrial smog. four tracks from the heat of the machine. a total submission to your new electrical system.

punkrock !!! yeah

inflicted releases # 1, 3 & 7 all bundled up for one special price!

-fee fire- ist der neue film von ben wheatley (-high rise-, -sightseers-, -kill list-, -down terrrace-) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausführendem produzenten. der titel bezieht sich auf den epischen shoot-o

autumns is the solo project of christian donaghey from derry, northern ireland. following several releases on downwards and clan destine and hot on the heels of his debut lp, »suffocating brothers«, the »dyslexia tracks« ep sees autumns deliver 5 tracks and 38 minutes of brutal beauty. aligning itself closely to his recent live performances – where snares (and belts) crack like whips and synthesizers »wriggle like a fucking eel« – »dyslexia tracks« completes autumns journey from his post-punk beginnings to producing some of the tautest and toughest electronic music we’ve heard in some time.
alongside progressive appearances on cult labels donaghey’s restless work ethic has seen him share stages in europe and the us with the kvb, lust for youth, beak, silent servant & dva damas.

one per customer!
this time it’s about a best possible quality re-release of the christian bruhn soundtrack for the japanese anime series -captain future-. as -thank-you- for your contribution you’ll get a limited edition vinyl record set + a lot more dope stuff. fucking awesome... sooooooo collectible! - double lp - halfspeed mastered / dubbed by christian bruhn - 19 songs incl. 4 previously unreleased bonus tracks - black vinyl + gatefold cover + poster + 2 sticker

the new marily manson album “heaven upside down” on vinyl

lumbago is proud to introduce the signal phantasm for their first release, a duo composed of two folks from south of france. you ll be able to feel their sensual crazyness threw this ep, between house, techno & breakbeat.

nice price deal !!! pdx is gracing our page with a huge typical boys noize/kitsune/ed banger monster on lady b’,s (boys noize, gigolo, fcom…,) home label interference

berlin based arttu has been dropping his dusty fat beats across numerous techno labels including philpot, clone and 4lux for a few years but it was 2016’s track ‘hoodies’ on arttu’s own imprint cyblo that caught the attention of accidental label boss matthew herbert (and which remains firmly in herbert’s record bag). arttu was invited onto the accidental jnr roster and has delivered a chunk of techno with so much swing it made donkey kong blush. arttu takes the most simple of jazz bass hooks and loops across a rigid kick, it’s when those hats kick in that the groove goes fucking wild. the presence of us native roberto q ingram on vocals brings a full detroit gangster flavour to the party. initially arttu and roberto had an idea to record a simple and sweaty track with roberto on the mic and arttu at the control of some dusty old machines. the result, ‘bass trakk’ is exactly that: roberto dropping lyrics over a raw beat and a massive bassline. the ep is rounded off with a deep bit of techno ‘debris’ with all the trappings of the darkest hour of a berlin winter in which it was recorded.

for its 6th release, bjarki and johnny chrome silver’s bbbbbb records welcome new signing eod (aka stian gjevik) to their unholy alliance with his swurlk ep . the norwegian born, strictly analog producer takes the label off-roading with four outstanding productions channeling ambient, electro and hard bloody techno. having released on imprints including rephlex and weme records, it was actually on soundcloud that bjarki discovered eod’s music. after getting in touch, the scale of his work emerged as gigabytes of unheard music dating back to 2002 were exchanged, all of which was made without the use of a pc an approach which speaks for itself through his instinctive, playful melodies. swurlk ep boasts an impeccable sense of arrangement, more like that of a composer, and even more impressive considering the absence of any computer. the title track opens with a velvety smooth synth melody building with bass textures.‘evenhark uses a broken beat framework to carry floating harmonies. swarm uses layer upon layer of stuttered percussion to build into a relentless techno cut. elcaset_testgroove pairs catchy, interacting melodies with pensive harmonies. swurlk ep is a must listen for fans of melodic electro and an exciting move from a label that continues to challenge all our fucking expectations

don’t you feel sexier already? go and shag the planet honey. you’re a horse, you’re a fucking horse and the world is your playing field, now go for it, night dog lunatic,scorched harmonics. you’re a horse, behave like one.

nice price deal !!! mysterious 4 track with more sexy electrohouse madness with old fashioned acid house flavoured sounds

dedicated to conlon nancarrow design thomas brinkmann / david hilbert how many can get a personal sound out of a fucking piano?! lee konitz.

solaronemusic is proud to announce this special record. andreas left us suddenly at june 20th in 2016 after long health problems. around that time we finished with him -the worst of gehm- release. he was so happy about this project!!! even one week later we got the terrible message that he died. we put alot of love and effort in this project to give him his last big monument! special thanks to all his friends and labels like mathematics recordings, abstract acid, creme organization, psycho thrill and of course bunker. rip in andreas! we will never forget you!

‘fear eats the soul’ is the third release from sordid sound system on invisible inc. his previous two records ‘in a year of 13 moons’ and ‘lux exterior’ have been getting plays from the likes of andrew weatherall, manfredas, john talabot, idjut boys and thomas von party. describing ‘fear eats the soul’ as a concept ep made by four imaginary bands from detroit, new york, paris and munich, sordid sound system says: “i’m pissed off with passive aggressive shabby chic artisan boutiques besieging my studio and complaining about the noise, i’m pissed off with coked up yuppy hipsters in land rovers taking over my neighbourhood with fancy restaurants with names that sound like fucking law firms, i’m pissed off at the resurgence of the far right and creeping fascism, i’m pissed off with self sabotaging english and american voters and the neo liberal corporate elites that have pissed away opportunities and alienated them, i’m pissed off with modern recording technology creating a sea of homogenous unimaginative beige bullshit, and i’m really pissed off that my favourite drummer jaki leibezeit is dead, but apart from that it’s all good, enjoy the new record.”

das komplex, aka marcin £ukaszewicz aka. what is this guys name? whoever he is, he is fucking slow. but word on the street is, he is super happy, to be slow, and to make records, and build ships, or whatever it is that he does, when hes not answering our emails. rumour has it, that henry is the man who built the ostbahnhof - with his own bare hands. before that he was making music. for twenty carefree, happy-go-lucky years. recently, he started releasing some of it, much to his surprise, on nice, family-themed labels such as young adults and father & son. this is his first offering for love on the rocks. its sublime, its soft, and it wants you to fall in love, at night, back in the days, under the electric light of your favourite dancefloor, with two major jams on the a-side, and a consciousness-altering, life-changing, dance floor destroying, 13-minute disco trip on the other. music to microdose to.

tell (aka milan for the ones who know) is a french producer who did tracks for beat x changers, banoffee pies, house running, nachtbreaker new imprint & just caught the attention of the mighty boiler room. this is his first ep which is in fact a mini lp & it s a fucking killer ! if you like pepe bradock, moodymann & strictly rhythm (so skylax in a way ,-)), this is definitely for you. ultra classy producer on the verge of getting big. we ve been following him for years now (thx to garage shelter / signal st advise) & we won t regret, the result goes far beyond all of our hopes. futur classic. skylax records 4 ever

huge support from jeremy underground / floating points / motor city drum ensemble. huge record if youre into disco, modern or just good fucking music and you probably dont own unless you work in the city or spend half you life looking for it. frazelle is the party record that everyone wants, big support all round on this so dont be waiting around and then email us when they are gone. licensed from ken frazzelle himself which always makes us happy. expect bileo like sales on this so stock up as they will fly

the ballroom basement of a hotel. the place for jack nicholsons mean encounter with a ghost or possibly the place for a cocaine laden sexual encounter with part of the media agency elite. the label worked there. and so did pablo. buying talent, slinging drinks, just a couple sneering punk kids looking towards a completely different berlin future. there was a time when rough and tumble crossed paths with diamonds. maybe it created diamonds in the rough? pablo always sent the label demos before the label was a label and could do something with them. pablo has had a string of successes since then (too numerous to point out) and the label became a label. became uncaged. time to let this relationship out of the cage. it is a long way from that ballroom basement, now time to do some thrusting, propelled, grinding, noisy, sonic shit together. house music? is it really? just in case you forgot that no one is all grim guts and clenched teeth, that wild abandon sometimes comes in the form of an ecstatic beach dance, nick höppner comes around and forces you to go out to hasenheide park for a picnic and to pick up a bag of dirt weed. >so fucking buy it<

nice price deal !!! supported by nick warren, timo maas, darko esser, steve porter, mark brown, d.ramirez, anderson noise, dj tee.
bit027 is by 2 italians (who do it better as we already know anyways ...) mario masullo & glitches who deliver a pure particle riot on their >pimps ride free< ep. the kids (mario masullo from rome and glitches peepz from naples) without a doubt know what they are doing on this strong as it gets 3 track ep. the message is raw driving techno with an orchestral feel and an overall extra ordinary hypnotizing mood that really breaks away from the norm and will leave the dancer behind thirsty for more. while the a-side is more on the techy driving side of things, combining orchestral sounds for creating a very quite unusual vibe, b1 goes even deeper in hypnotizing your ears and fucking with your brains, real phsychotic dancefloor madness is the key here. b2 then heads back to the melodic side of the game, without forgetting to keep a strong eye on an intense dance-floor aspect here also. melodies so sweet and clean keep flirting with your ears on this one and its just all so well put together, that it manages to keep an minimal feel, eventhough its filled with so many ideas and great sound details, that it simply leaves us behind speechless and answers the question why our new pimps, sure ride for free at the same time ...

the extraordinary prolongation of sound jerked polly’s pretty head away from her work at the calibration machine. today’s jobs had seen her at her thorough and meticulous best but as afternoon melted easily into evening, these latest reverberations meant she’d no longer be able to focus to the level required. her boss had just dropped the bomb. as her ear drums filtered the noise, the technician’s bright mind was flooded with delight, her eyes no longer felt dry and tight with concentration, she was caught riding the crest of a massive wave of admiration. sitting her specs on the desk and pushing herself off the comfortable heat of her work stool, miss filla let the soundwaves pull her to her feet and carry her off to the main source of the captivating music. in honour of dixon avenue basement jams spending four years at the forefront of the global electronic music scene a new release was planned to shake the foundation to the very core. techno wizard big miz had been charged with delivering the goods and by the gods, the glaswegian had cracked it! he’d created, not just new tunes, but a whole new fucking genre. polly could feel the vibrations pulsating through every part of her curvaceous body as she sashayed along to the seductive beat.

black box recorders aren’t black, they’re orange. often they are destroyed and they don’t always have all the answers we’re looking for. this recording documents a collision/collaboration between two sound artists, michael bjella (gog) and robert skrzy&#324,,,ski (micromelancolié). this is what survived and this is all we have left, the sounds should tell the whole story.

nice price deal !!! pacebreaker 001 featuring mental hardcore & breakcore combined mayhem!

nice price deal !!! new oton out!!! in real minimal and deep session dedicated to strong dancefloor!!!! big sub bass and catchy gimmick give the tone! we asked to the misterious caspian to make us sweat and sash_liq from mischkonsum family (stuttgart), supdub digital, jagoo.... to remix it in his way slow and loud... its all about techno a nice kick and a fucking good compressed bass!

80% deal

having finally woken from our deep winter slumber, team fancy human shuffle in through the door of 2016, in need of a shave and a coffee, clutching the newly minted test pressing of the first full release from london duo and co-founders lucatwana. the normally work shy combo deliver to you fh003, or under it s more catchier moniker, city droids. if they d have got it done quicker, we might have been able to cash in on the stars wars related hype, but never mind. anywho, city droids takes the form of three originals, beginning with the uplifting funk of city fucking, moving through the tougher and darker grind of droids on roids and ending with a nod to detroit with nobody knows. pleasingly, we also have a fancy human favourite tigerskin on remix duties, with a smooth, driving, hypno re-imaging of droids on roids that hits the nail firmly on the head.

2016 repress >>> eklo 022 welcomes its newest member to the family, robin ordell. the young half baked resident delivers three deep cuts of jazzy modern house with a mpc sound. add to this a stunning remix from the frenchman currently making waves on planet e and metroplex, ben vedren, bringing a modern, minimal touch to the original

taking the counter comment to the album’s title track ‘the day is my enemy’, the prodigy are pleased to offer details of a forthcoming ep entitled ‘the night is my friend’ on limited translucent vinyl. the ep includes album tracks ‘get your fight on’ and ‘rhythm bomb’, two fresh remixes and the previously un-released, fan favourite ‘awol’. ‘awol’ has been a track the band have played live since 2012 but as the album writing and recording process developed the band decided to hold awol back . now, after reworking it into a new unheard version they feel it’s time to make it available on record.

a booming clavinet led banger from everyones favourite disco uncles, eric duncan and dean meredith. heavy on the lasers and scything hi hats with a bassline as deep as you would expect from these fellers. marcellus trademark sound is all over his remix - sultry rhodes and sweet, driving funk, and the central executives version strips it to the bone, revealing not a skeleton but a robot. a robot playing a fucking saxophone! rock on, dudes. golf channel every time!

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

two pieces of snarling filter house from nyc heavyweights robbie busch aka dj mcboing boing - record dealer to the stars, digger extraordinaire, & dj of sweaty underground parties around the world, and josh dunn - one part of the sorely missed 100 limousines, and one third of the holy trinity that put on new york s legendary foreal people party. for two guys so deeply immersed in the rich history of urban dance music, from the blues & gospel through deep disco, soul, chicago and detroit sounds, you could be forgiven for expecting to hear a rich homage to the sounds of the past. instead we get the future ghost of ron hardy playing the record backwards on a janky turntable with a quarter for a counterweight and fucking shit up in every conceivable way. these two are chiefly concerned with moving things forward, having some fun, and taking no prisoners along the way. golf channel every time !

broken arrows are the powerhouse duo of londons bill ambrose and spruxx. united over an envy inducing collection of vintage and modern synths and drum machines. broken arrows are the sound of a slime coated pansexual club d amore as populated by malfunctioning ed-209s getting real freaky. taking cues from classic ebm, minimal synth, these three dark-fucking-wave destroyers are complimented by a remix from the one-man-brutalist-factory known as drvg cvltvre, taking the title track and twisting it into a reimagined 8-bit nes grinder / grindr. mastered by phelan kane. art by eric lee. always limited. download code included.

yo! that is the music people listen to nowadays? yes, indeeeeed. get three tracks for just twenty-five bugs. comes in a fucking unexpected edition limited to hell, so you will need to know guys with the right connection to frank musics distribution. cool frank and rude mo from dreamy city champaign / illinois were used to produce local r&b pop music in the late 80s. these three cuts were found on mixtapes from the early 2010s next to new local r&b pop tracks. dont be en vogue, be frank.

vent is proud to house cindy’s debut ep, which is a no-nonsense message of grime and salt that we never hesitated even for a second to release. cindys raw knuckle approach to production has a haunting beauty to it, and we look forward to being able to say: remember where you heard it first

not since edward iii rolled out his cannons on the french battlefield during the 100 years war have we seen such shock & awe response to fresh, terrifying and complete weaponry. many of you will already know the name of tx connect from his previous sides on dabj, not to mention cuts on l.i.e.s (w/ willie burns), bad mums and adelaide soundworks. the three tracks present here for his first bonafide dabj solo outing are no-nonsense jack trax strictly for the vagabonds, rogues, sages and full-on midnight wizards. if you were to drop this fizzing slice of wax into a two-litre bottle of coke, it would level your whole fucking town.